What is an Author? -- Rethinking Art and Values -- Contemporary Philosophical Aesthetics in China: The Relation Between Subject and Object -- A Critical Reflection on a Suggested Return to Aesthetic Experience in Socialist China -- Some Reflections on Confucian Aesthetics and Its Feminist Modalities -- Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting -- Experimental Painting and Painting Theories in Colonial Hong Kong (1940-1980): Reflections on Cultural Identity -- The Notion of "Orientalism" in the Modernization Movement of Chinese Painting of Hong Kong Artists in 1960s: The Case of Hon Chi-fun -- Some Reflections on "Feminist Aesthetics": Private/Public? Personal/ Political? Gender/Post-Colonial? --- The Case of Young Women Art in Post-Colonial Hong Kong -- A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong and Its Implications for Cultural Identities -- The Trinity “Hong Kong- China-The World”: The Battle of Cultural Identities as a Form of Hegemony in Art in Postcolonial Hong Kong (since 1990s) -- Hong Kong Pavilion at the Venice Biennale As Method: The Case of Lee Kit Rights in Hong Kong -- Influence of Global Aesthetics on Chinese Aesthetics: The Adaption of Moxie and the Case of Dafen Cun.